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Taking nature as her inspiration,
Etsuko Nishi creates exquisite pieces that can be viewed in many ways:
as abstract sculptures or inspired floral forms. Nishi’s
seemingly simple, flowing forms belie the intricate process of constructing
them. One of the pioneers of the rebirth of interest in the oldest form
of glass, pâte
de verre (glass paste), Etsuko’s success in creating complex
forms previously impossible in pate de verre are the result
of over ten years of study and experimentation that took her from
Seattle, Washington, where she began her study of glass, to France, Australia
(Canberra School of Art), and England (Royal College of Art). In the
course of this time she developed and perfected a unique ceramic fiber
mold technique for kiln casting.
It could be said that Etsuko adheres to the Japanese fascination with
exploring the limits of any material, be it clay, glass or flowers. Her
work is not unrelated to the Japanese art of Ikebana, in which the art
of floral arranging is based on realizing the inherent beauty of each
flower and its natural disposition, rather than subjecting it to artificial,
pre-determined design formulas.
The work of Nishi is in the permanent
collections of museums throughout the world – Japan, Australia,
Germany, Denmark, France, USA.
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